John Hails
John Hails

Dr John Hails

Senior Lecturer

Biography

John Hails is a Senior Lecturer and Reader in Music at Edinburgh Napier University, where he teaches aesthetics, music psychology, composition, and ethnomusicology. He began his training at Durham University and the University of Huddersfield. He returned to Durham to read for a PhD by Portfolio of Compositions with Fabrice Fitch, which he received in 2008. His teachers have included Nicholas Bannen, Paul Archbold, Deidre Gribben, Christopher Fox, and Fabrice Fitch, but over the course of his training he was also taught by Brian Ferneyhough, Richard Barrett, Michael Finnissy, and Stuart Macrae amongst others.

John’s music has been performed by the Orlando Consort, the London Sinfonietta, Heather Roche, Sarah Watts, Nicholas Ashton, and Yan Lim. It has been performed in the Purcell Room, South Bank; at the 2008 Internationale Ferienkurse für Neue Musik, Darmstadt; at the Huddersfield Contemporary Music Festival; commissioned by the Friends of the Cheltenham International Festival of Music for the 2001 festival; and broadcast on BBC Radio 3. At present, he is focusing on a series of chamber works exploiting various unorthodox intonations and developing fixed media and installation (real and virtual) work.

In addition to composition, John presents ideas about aesthetics, notation, and ethnomusicology at conferences within the UK and further afield, focusing on marginal and alienated/alienating musical practices within the art music of the last hundred years.

Research Areas

Date


18 results

Sleepwalkers, Beware: Towards a Post-Structuralist Critique of Popular Music in Higher Education

Book Chapter
Moir, Z., & Hails, J. (2019)
Sleepwalkers, Beware: Towards a Post-Structuralist Critique of Popular Music in Higher Education. In Z. Moir, B. Powell, & G. Dylan Smith (Eds.), The Bloomsbury Handbook of Popular Music Education: Perspectives and PracticesLondon and New York: Bloomsbury Publishing
No abstract available.

enlightenment

Other
Hails, J. (2016)
enlightenment. London, UK
Musical work for solo or duo microtonal trumpet(s) and fixed media.

Nine for ones in nine: a schizophrenic cyborg love story.

Presentation / Conference
Hails, J. (2016, April)
Nine for ones in nine: a schizophrenic cyborg love story. Paper presented at Edinburgh Napier Staff Conference, Edinburgh, Scotland
By appropriating the images of the schizophrenic and the cyborg from Deleuze and Guattari, and from Donna Haraway respectively, this paper seeks to discuss the relationship be...

for one

Other
Hails, J. (2016)
for one. [Musical score]. Print manuscript in the possession of the composer
Musical work (duration 19') for one unspecified melodic sustaining instrument. Work employs specific tuning related to just intervals.

for three

Other
Hails, J. (2015)
for three. Print manuscript in possession of composer
Musical work (duration 41') for three unspecified melodic sustaining instruments. Work employs specific tuning related to just intervals.

Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action.

Conference Proceeding
Hails, J. (2014)
Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action
In June 2014, a disparate group of trained and untrained performers gathered together at the Chisenhale Dance Space to perform items from the Scratch Orchestra’s 1969 Nature S...

enlightenment

Other
Hails, J. (2014)
enlightenment
Work for solo harp with optional fixed media. Written for harpist Milana Zaric to play and dedicated to the memory of the poet Simon Howard. First performance on 24th March 20...

Sh

Other
Hails, J. (2014)
Sh. Edinburgh, Scotland
Sh is a work for solo guitar that lasts around three minutes.

Pied Beauty.

Other
Hails, J. (2014)
Pied Beauty. Edinburgh, Scotland
Composition for soprano and two scordatura violas (alternatively, for soprano and stereo fixed media playback)

EMG

Other
Hails, J. (2012)
EMG. Edinburgh, Scotland
Work for solo piano requested and first performed by Nicholas Ashton. This work samples vertical chord structures from an earlier piece for piano (EVEN MORE GEESE), which itse...

Current Post Grad projects

Previous Post Grad projects

Non-Napier PhD or MSc by Research supervisions

  • Rezaei, M. 2016. Portfolio of Compositions. PhD. Durham University.