‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror
Journal Article
Artt, S. (2018)
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...
STV At 60
Journal Article
Scott, A. (2018)
STV At 60. International Journal of Scottish Theatre and Screen, 11(1), 29-50
This article traces the history of Scottish Television (STV) since it was first established as the independent television channel serving central Scotland in 1957 by charting ...
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.
Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.
Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black
Journal Article
Schwan, A. (2016)
Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), 473-490. https://doi.org/10.1177/1527476416647497
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly promote pri...
Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation
Journal Article
Blake, J. (2017)
Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation. Participations: International Journal of Audience Reception Studies, 14(2), 526-544
In its relatively short life, second screen interaction has evolved into a variety of forms of viewer engagement. The practice of using two screens concurrently has become com...