Ensemble: embodied experiences in a sound and jewellery installation
Conference Proceeding
Kettley, S., Smyth, M., Arvind, D. K., Greig, F., McGregor, I., & Paechter, B. (2007)
Ensemble: embodied experiences in a sound and jewellery installation. In D. Golightly, T. Rose, & B. Light (Eds.), Create 07 Creative Inventions, Innovations and Everyday Designs in HCI
ensemble - an interactive collection of networked jewellery with gesturally determined, real time sonic output
Articulating the Sense of Place Experienced by Visitors to the Jencks Landform
Book Chapter
Smyth, M. (2005)
Articulating the Sense of Place Experienced by Visitors to the Jencks Landform. In P. Turner, & E. Davenport (Eds.), Spaces, Spatiality and Technology (249-260). Dordrecht: Springer. https://doi.org/10.1007/1-4020-3273-0_17
Who am I and where am I? - switching and stitching in the digital age.
Conference Proceeding
Smyth, M., Raijmakers, B., & Munro, A. (2003)
Who am I and where am I? - switching and stitching in the digital age. In D. Marjanovic (Ed.), Proceedings of the 8th International Design Conference DESIGN 2004, 1487-1492
This paper will introduce the concept of human identity. It will focus on how the creation, maintenance and communication of identity could be supported by technology. Initial...
A framework for engineering metaphor at the user interface
Journal Article
Alty, J., Knott, R., Anderson, B., & Smyth, M. (2000)
A framework for engineering metaphor at the user interface. Interacting with Computers, 13(2), (301-322). ISSN 0953-5438
Interface metaphors facilitate the learning of new computer systems by supporting the transformation of existing knowledge in order to improve the comprehension of novel situa...
TOUCH: Creating interactional artefacts in a physical world
Journal Article
Smyth, M. (1999)
TOUCH: Creating interactional artefacts in a physical world. Interfaces / the British HCI Group newsletter. , 17. ISSN 1351-119X
The maxim states that seeing is believing but that it is touch that determines reality. Instinctively we
reach out to touch those objects that attract or perplex. Touch convey...