Sacred Violence: W. B. Yeats, Patrick Pearse, and The Revival of Ireland
Presentation / Conference
Lyall, S. (2022, September)
Sacred Violence: W. B. Yeats, Patrick Pearse, and The Revival of Ireland. Presented at 'Crossing Borders', School of Humanities Seminar Series 2022/23, University of Strathclyde
This paper frames the Irish Revival as a meta-symbolical attempt to reinterpret and reimagine the cultural and political narrative of Irish history. It focuses on the manner i...
Channel 4 - then and now - the view from Scotland: the evolution of the Channel’s relationship with the Scottish production sector
Presentation / Conference
Scott, A., & Correia, N. (2022, September)
Channel 4 - then and now - the view from Scotland: the evolution of the Channel’s relationship with the Scottish production sector. Paper presented at Channel 4: Then and Now, BFI Southbank, London
This paper examines the historic relationship between Channel 4 and the Scottish independent production sector over four decades and investigate how the opportunities and supp...
In One Ear, Out the Other (Jacob Danson Faraday on Cirque du Soleil)
Digital Artefact
Danson Faraday, J., & Hagood, M. (2022)
In One Ear, Out the Other (Jacob Danson Faraday on Cirque du Soleil). [Podcast]
Scottish Scene, or The Intelligent Man’s Guide to Albyn
Book
Lyall, S. (in press)
Scottish Scene, or The Intelligent Man’s Guide to Albyn. Glasgow: Association for Scottish Literature
Scottish Scene, or The Intelligent Man’s Guide to Albyn was first published by Jarrolds in 1934. Widely reviewed at the time, it quickly became one of the most controversial t...
Jazz Festivals in the Time of COVID-19: Exploring Exposed Fragilities, Community Resilience and Industry Recovery
Book Chapter
Raine, S., Medboe, H., & Dias, J. (2022)
Jazz Festivals in the Time of COVID-19: Exploring Exposed Fragilities, Community Resilience and Industry Recovery. In G. Morrow, D. Nordgård, & P. Tschmuck (Eds.), Rethinking the Music Business: Music Contexts, Rights, Data, and COVID-19 (109-127). Cham: Springer. https://doi.org/10.1007/978-3-031-09532-0
This chapter considers how four festivals across the UK – Brecon Jazz Festival, Brilliant Corners in Belfast, Edinburgh Jazz & Blues Festival, and Manchester Jazz Festival – h...
In a new Context, we are all Apprentices: How Dialogue Between the Three States of Craft Education is a Catalyst for Adaptation
Conference Proceeding
Kerlaff, P. (in press)
In a new Context, we are all Apprentices: How Dialogue Between the Three States of Craft Education is a Catalyst for Adaptation. In Cumulus Conference Proceedings
This essay argues that dialogue between the three states of craft education is a key mechanism for adaptation. Adaptation here is taken as the act or process of adjustment to ...
Online screening of 'I'm Still Here'
Presentation / Conference
Macleod, K., & Guma, T. (2022, September)
Online screening of 'I'm Still Here'. Presented at Royal Geographical Society Annual Conference 2022, Online
'Criminal Voice', Gender and (Sexual) Violence in Graeme Macrae Burnet's His Bloody Project
Presentation / Conference
Schwan, A. (2022, September)
'Criminal Voice', Gender and (Sexual) Violence in Graeme Macrae Burnet's His Bloody Project. Paper presented at European Society for the Study of English (ESSE) Conference, Johannes Gutenberg University of Mainz, Germany
‘To “meddle wi’ the thistle”’: The Scottish Chapbook, Modernism, and Renaissance
Presentation / Conference
Lyall, S. (2022, August)
‘To “meddle wi’ the thistle”’: The Scottish Chapbook, Modernism, and Renaissance. Paper presented at MacDiarmid at 100, Online
The first number of The Scottish Chapbook was published in August 1922 and the journal ran until November/December 1923. The most important of MacDiarmid’s several journal pro...
Beyond Sustainability: The Music Industries Declare Emergency on Planet Earth – or do they?
Presentation / Conference
Harkins, P. (2022, August)
Beyond Sustainability: The Music Industries Declare Emergency on Planet Earth – or do they?. Paper presented at IASPM UK and Ireland Conference, University of Liverpool
In December last year, a number of record labels based in the UK signed the Music Climate Pact in which they committed to reducing the emission of greenhouse gases by 50% by 2...