Experiences of Remote, Real-Time Music Production.
Presentation / Conference
Moir, Z., Ferguson, P., & Smith, G. D. (2018, April)
Experiences of Remote, Real-Time Music Production. Paper presented at NowNet Arts: Artistic and Technological Strategies for Public and Private Networks, New York
No abstract available.
Your Feedback is Important to Us.
Exhibition / Performance
Moir, Z. Your Feedback is Important to Us. Performed at Edinburgh International Science Festival. 14 April 2018 - 14 June 2018. (Unpublished))
Moir, Z. Your Feedback is Important to Us. Performed at Edinburgh International Science Festival. 14 April 2018 - 14 June 2018. (Unpublished
Interactive, generative sound art installation.
Canonic
Other
Cheng, L. (2018)
Canonic. Hong Kong
Canonic is a collaborative electronic improvisation using graphic notation in a spatial setting. The musical content is in four-part canonic structure in which different parts...
How Does This Work Then?
Other
Moir, Z. (2018)
How Does This Work Then?. [https://open.spotify.com/album/0M4UTFhAxmRmE278KWHrHP?si=8dQsAfVLRwWynNGvp5BvNw]. Online Publication
Composition for solo cello.
Floating Sanctuary
Other
Burton, K. (2017)
Floating Sanctuary
A site-specific work for solo cello written for Edinburgh Doors open Day. The piece is informed by the architectural design of Craigsbank Parish Church and was presented in th...
Jamming in the 3rd Room.
Presentation / Conference
Moir, Z. (2017, September)
Jamming in the 3rd Room. Paper presented at Royal Musical Association Annual Conference, Liverpool, UK
No abstract available.
Questioning the Digital Revolution: Continuity and Change in the Design and Use of Music Technologies
Presentation / Conference
Harkins, P. (2017, June)
Questioning the Digital Revolution: Continuity and Change in the Design and Use of Music Technologies. Paper presented at 19th Biennial Conference of the International Association for the Study of Popular Music, Kassel, Germany
The use of digital technologies since the 1980s have changed the way in which music is stored, distributed, and consumed. The use of digital technologies has also reshaped the...
Learning to Create and Creating to Learn: The Importance of Popular Music Composition in Popular Music Education
Presentation / Conference
Moir, Z. (2017, June)
Learning to Create and Creating to Learn: The Importance of Popular Music Composition in Popular Music Education. Paper presented at Association of Popular Music Education Annual Conference, Denver, Colorado
This session will focus on Popular Music Composition (PMC) in undergraduate popular music degrees. The presenter will outline several important issues raised by students of PM...
Popular Music Making and Young People: Leisure, Education and Industry
Presentation / Conference
Moir, Z. (2017, June)
Popular Music Making and Young People: Leisure, Education and Industry. Paper presented at Association of Popular Music Educators Annual Conference, Denver, Colorado
This presentation explores concepts of 'leisure' and 'musical activity'
by way of contextualizing the ways in which young people engage with music making as leisure. As such ...
Following the Fairlight CMI and its Users: The Digital Reproduction of 'Real' Instruments and Sounds
Presentation / Conference
Harkins, P. (2017, June)
Following the Fairlight CMI and its Users: The Digital Reproduction of 'Real' Instruments and Sounds. Paper presented at Galpin Society/AMIS Conference on Musical Instruments, The University of Edinburgh
This paper will focus on the Fairlight Computer Musical Instrument (CMI), which is generally regarded as the first commercially available digital sampler. However, its designe...