Sex Sounds: On Aural Explicitness in Call Me by Your Name
Book Chapter
Artt, S. (in press)
Sex Sounds: On Aural Explicitness in Call Me by Your Name. In E. Lamberti, & M. Williams (Eds.), Call Me By Your Name: Perspectives on the Film. Bristol: Intellect
Quiet Pictures: Women and Silence in Contemporary British and French Cinema
Book
Artt, S. (in press)
Quiet Pictures: Women and Silence in Contemporary British and French Cinema. London: Bloomsbury Publishing
Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovicthrough the lens of silence as a motif and texture.
This book takes ...
Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm
Presentation / Conference
Artt, S. (2022, June)
Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm. Paper presented at Association of Adaptation Studies annual conference, University of Lisbon, Portugal
In Dune (Denis Villeneuve, 2021), the much-anticipated adaptation of the Frank Herbert series, Charlotte Rampling briefly appears as Mother Helen Mohiam, high priestess of the...
Why we do not adapt Jean Rhys
Book Chapter
Artt, S. (2020)
Why we do not adapt Jean Rhys. In M. Stewart, & R. Munro (Eds.), Intercultural Screen Adaptation: British and Global Case Studies. Edinburgh: Edinburgh University Press
Abstract not available.
Jennifer L. Feeley and Sarah Ann Wells (eds), Simultaneous Worlds: Global Science Fiction Cinema
Journal Article
Artt, S. (2018)
Jennifer L. Feeley and Sarah Ann Wells (eds), Simultaneous Worlds: Global Science Fiction Cinema. Screen, 59(4), 556-558. https://doi.org/10.1093/screen/hjy050
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror
Journal Article
Artt, S. (2018)
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close.
Book Chapter
Artt, S. (2018)
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities (91-106). Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...
The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street
Book
Artt, S. (2017)
The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street. In B. Poore (Ed.), Neo-Victorian Villains: adaptations and transformations in popular cultureLeiden; Boston;: Brill Academic Publishers
This chapter examines the trajectory of Rose, the recurring victim-heroine of Ripper Street and the villains that define her. Ripper Street appears initially as an example of ...
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.
Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close.
Presentation / Conference
Artt, S. (2015, July)
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. Paper presented at Tranforming Cities, University of Braunschweig, Germany
Maison Close offers us the sex worker as anti-flâneuse, a woman whose movement is thoroughly circumscribed by the walls of the brothel and yet is defined by her license as a '...