The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups
Presentation / Conference
Harkins, P. & Brøvig-Hanssen, R. (2010, December)
The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups. Paper presented at Art of Record Production (ARP), Leeds Metropolitan University
No abstract available.
Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation
Journal Article
Harkins, P. (2010)
Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation. Journal of the International Association for the Study of Popular Music, 1(1), 1-19. https://doi.org/10.5429/2079-3871%282010%29v1i2.3en
Brian Eno describes the recording studio as a compositional tool that has enabled composers to enjoy a more direct relationship with sound. This article will explore the use o...
Appropriation, Additive & Accident: A Case Study of Digital Sampling and Recording Dislocation
Presentation / Conference
Harkins, P. (2010, June)
Appropriation, Additive & Accident: A Case Study of Digital Sampling and Recording Dislocation. Paper presented at ANR Research Workshop, Universite Paris 1
No abstract available.
Transmission Loss and Found: The Sampler as Compositional Tool
Journal Article
Harkins, P. (2009)
Transmission Loss and Found: The Sampler as Compositional Tool. Journal on the Art of Record Production, 4,
This article explores the use of the digital sampler as one of the studio tools that forms part of this creative process and focuses on interviews with a group of Edinburgh mu...
Transmission Loss and Found: The Sampler as Compositional Tool
Presentation / Conference
Harkins, P. (2008, November)
Transmission Loss and Found: The Sampler as Compositional Tool. Paper presented at Art of Record Production (ARP), University of Massachusetts
Item subsequently published as journal article - see item http://researchrepository.napier.ac.uk/id/eprint/5031
Todd Edwards & the microsample: speed & spirituality in UK Garage.
Presentation / Conference
Harkins, P. (2007, October)
Todd Edwards & the microsample: speed & spirituality in UK Garage. Paper presented at Mediation, Movement and Microrhythm in Groove-Based Music Workshop, University of Oslo, Norway
My paper will examine the role of New Jersey producer Todd Edwards within the development of UK Garage by focussing on his use of microsamples which Simon Reynolds describes a...