29 results

‘Keeping the Machines Alive’: Repairing and Maintaining the Fairlight CMI.

Presentation / Conference
Harkins, P. (2023, June)
‘Keeping the Machines Alive’: Repairing and Maintaining the Fairlight CMI. Paper presented at Innovation In Music Conference 2023, Edinburgh, UK
The story of the Fairlight CMI is a story of misuse. Designed primarily as a digital synthesizer for the imitation of acoustic instruments, it was used in the worlds of popula...

Beyond Sustainability: The Music Industries Declare Emergency on Planet Earth – or do they?

Presentation / Conference
Harkins, P. (2022, August)
Beyond Sustainability: The Music Industries Declare Emergency on Planet Earth – or do they?. Paper presented at IASPM UK and Ireland Conference, University of Liverpool
In December last year, a number of record labels based in the UK signed the Music Climate Pact in which they committed to reducing the emission of greenhouse gases by 50% by 2...

(Dis)locating Democratisation: Grime, Digitalisation, and 'The PlayStation Generation'

Presentation / Conference
Harkins, P. (2021, May)
(Dis)locating Democratisation: Grime, Digitalisation, and 'The PlayStation Generation'. Paper presented at Annual Symposium of Music Scholars in Finland, Online
For many commentators over the last two decades, digitisation represents nothing short of a watershed moment in how music is produced, stored, and consumed. In this paper, I a...

(Dis)locating Democratisation: Grime, Digitalisation, and ‘The PlayStation Generation’

Presentation / Conference
Harkins, P. (2020, May)
(Dis)locating Democratisation: Grime, Digitalisation, and ‘The PlayStation Generation’. Paper presented at London Calling IASPM UK & Ireland Conference, Online/University of West London
For many commentators over the last two decades, digitisation represents nothing short of a watershed moment in how music is produced, stored, and consumed. Just as the era of...

Popular Music and the Anthropocene

Journal Article
Ribac, F., & Harkins, P. (2020)
Popular Music and the Anthropocene. Popular Music, 39(1), 1-21. https://doi.org/10.1017/s0261143019000539
Ribac, F., & Harkins, P. (2020). Popular Music and the Anthropocene. Popular Music, 39(1), 1-21. https://doi.org/10.1017/s0261143019000539

Following the Auteurs: Kate Bush and the Fairlight CMI

Presentation / Conference
Harkins, P. (2019, December)
Following the Auteurs: Kate Bush and the Fairlight CMI. Paper presented at This Woman's Work: A Kate Bush Symposium, Edinburgh College of Art
I’m a big fan of Kate Bush’s music but my priority in this paper is not to praise her many achievements. Instead, I want to look at how she was using music technologies in the...

Cult Sound Studies: hand claps, orchestra hits, and the production of popular music

Journal Article
Harkins, P. (2019)
Cult Sound Studies: hand claps, orchestra hits, and the production of popular music. Sound Studies, 5(2), 213-216. https://doi.org/10.1080/20551940.2019.1648029
No abstract available.

Digital Sampling: The Design and Use of Music Technologies

Book
Harkins, P. (2019)
Digital Sampling: The Design and Use of Music Technologies. Routledge. https://doi.org/10.4324/9781351209960
Digital Sampling is the first book about the design and use of sampling technologies that have shaped the sounds of popular music since the 1980s. Written in two parts, Digit...

Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'

Presentation / Conference
Harkins, P. (2018, December)
Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'. Paper presented at Music, Digitalisation, and Democracy
Rather than an abrupt or revolutionary shift from analogue to digital, I will argue in this paper that the use of digital technologies such as samplers have been part of a mor...

Was the Sampler a Revolution? Continuity and Change in the Design and Use of Synthesizer/Sampling Technologies

Presentation / Conference
Harkins, P. (2018, September)
Was the Sampler a Revolution? Continuity and Change in the Design and Use of Synthesizer/Sampling Technologies. Paper presented at The Sound of the Anthropocene: Materialities Seminar
No abstract available.

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