18 results

DUO1

Other
Hails, J. (2011)
DUO1. Edinburgh, Scotland
DUO1 is a work for two bass clarinets. It was requested and first performed by Sarah Watts and Heather Roche. This work forms part of a series of works exploring different way...

Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough.

Book Chapter
Fitch, L., & Hails, J. (2010)
Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough. In M. Paddison, & D. DELIÈGE (Eds.), Contemporary Music: Critical and Theoretical Perspectives (319-330). Ashgate Publishing

EMG 2008

Exhibition / Performance
Hails, J. (2007)
EMG 2008. Performed at Durham, United Kingdom. 4 December 2008 - 4 December 2008. (Unpublished
The work was written for and dedicated to the performer and received its world premiere at the University of Durham Musicon Concert Series on 4th December, 2008

BE GOOD.

Other
Hails, J. (2007)
BE GOOD. Edinburgh, Scotland
Work for solo horn, dedicated to Elliott Carter on the occasion of his 100th birthday. First performed by Fergus Kerr on 28th September 2008.

De contemplationis digitis.

Other
Hails, J. (2003)
De contemplationis digitis. Cheltenham, UK
In this piece, my research aim was to develop the contrary relationship of the flute (blown, sustained sound) to piano (struck, decaying sound) in the context of a playful for...

Lovesongs.

Other
Hails, J. (2003)
Lovesongs. London, UK
The research aims of this piece were to explore a tempo grid, using tempo ratios to construct a complex metrical texture in conjunction with the use of quotation to create for...

Cantus 1.

Other
Hails, J. (2002)
Cantus 1. London, UK
The objective in writing Cantus 1 was to produce a very controlled piece of violin writing using a limited number of pitches, while the piano plays a very passive role, quietl...

Der Heimat zu.

Other
Hails, J. (2001)
Der Heimat zu. Cheltenham, UK
This piano piece is written using a floating, non-functional tonal language that recalls the other composers featured in the programme, while remaining recognisably modern. It...

Date


13 results

Flamenco music: its origins and influences towards a developing canon of classical guitar repertoire

2023 - date
Brandon Walker | Director of Studies: Mr. Ken Dempster | Second Supervisor: Dr John Hails

Mindful Musicking

2023 - date
Neil Mackenzie | Director of Studies: Dr Zack Moir | Second Supervisor: Dr John Hails

Exploring the Musical Cultures of Melanesia through Musical Composition: Ethnomusicology and (Ethno)Organology as Creative Stimuli/Method

2023 - date
Dallas Patterson | Director of Studies: Prof Haftor Medboe | Second Supervisor: Dr John Hails

Mathematics, Composition and Analysis

2023 - date
Director of Studies: Dr Dimitris Papageorgiou | Second Supervisor: Dr Katrina Burton

e(co): a study of shared creative activity in environment

2021 - date
Harry Docherty | Director of Studies: Dr Zack Moir | Second Supervisor: Dr Dimitris Papageorgiou

Composition and identity

2020 - date
David Paton | Director of Studies: Dr John Hails | Second Supervisor: Dr Dave Hook

Musical reading of free-verse poetry: The compositional approach in Songs after Love

2019 - 2022
Ioannis Koufoudakis | Director of Studies: Dr Katrina Burton | Second Supervisor: Dr John Hails

Motivations, impressions and consequences: a qualitative analysis of musicians experience of developing online profiles

2019 - date
Lewis Durrand | Director of Studies: Renée Stefanie | Second Supervisor: Dr Rory MacLean

Hybridisation as an experiential phenomenon: A practice-based approach towards conceptualising musical hybridisation

2018 - 2021
James Hind | Director of Studies: Prof Haftor Medboe | Second Supervisor: Dr Zack Moir

Dialogical music systems: The importance of agency in creative processes

2018 - date
Gordon O'Neill | Director of Studies: Dr Zack Moir | Second Supervisor: Dr John Hails

Date


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Research Areas