18 results

“Siblings, Kinship and Allegory in Jesmyn Ward’s Fiction and Nonfiction”

Journal Article
Keeble, A. (2019)
“Siblings, Kinship and Allegory in Jesmyn Ward’s Fiction and Nonfiction”. Critique, 61(1), 40-51. https://doi.org/10.1080/00111619.2019.1663145
This article examines the centrality of sibling relationships in Jesmyn Ward’s fiction and nonfiction, focusing specifically on her second novel Salvage the Bones (2011) and m...

Interview with Tim Irwin, Director of We Jam Econo: The Story of the Minutemen (2005) and Don’t Break Down: A Film about Jawbreaker (2017)

Journal Article
Keeble, A. (2017)
Interview with Tim Irwin, Director of We Jam Econo: The Story of the Minutemen (2005) and Don’t Break Down: A Film about Jawbreaker (2017). Punk and Post Punk, 6(1), 157-162. https://doi.org/10.1386/punk.6.1.157_7
This interview was conducted over Skype on 26 March 2017. I contacted Tim Irwin for an interview with two main goals in mind. First, I was hoping for insight into his new film...

The Aggregation of Political Rhetoric in Zeitoun

Journal Article
Keeble, A. (2014)
The Aggregation of Political Rhetoric in Zeitoun. Comparative American Studies, 12(3), 173-189. https://doi.org/10.1179/1477570014Z.00000000081
While the initial literary and cultural response to 9/11 consisted mostly of domestic narratives of trauma and mourning that avoided explicit political discourse, narrative re...

Joseph O'Neil's Netherland and 9/11 Fiction

Journal Article
Keeble, A. (2012)
Joseph O'Neil's Netherland and 9/11 Fiction. European Journal of American Culture, 31(1), 55-71. https://doi.org/10.1386/ejac.31.1.55_1
This article argues that Joseph O’Neil’s Netherland (2008) self-consciously addresses some of the problematic aspects of the emerging canon of ‘9/11 fiction’. Netherland subve...

Narratives of Hurricane Katrina in Context: Literature, Film and Television

Book
Keeble, A. (2019)
Narratives of Hurricane Katrina in Context: Literature, Film and Television. Palgrave Macmillan. https://doi.org/10.1007/978-3-030-16353-2
This book analyzes six key narratives of Hurricane Katrina across literature, film and television from the literary fiction of Jesmyn Ward to the cinema of Spike Lee. It argue...

Blake Schwarzenbach and the anxieties of American punk rock: 1991–present

Journal Article
Keeble, A. (2016)
Blake Schwarzenbach and the anxieties of American punk rock: 1991–present. Punk and Post Punk, 5(3), 295-310. https://doi.org/10.1386/punk.5.3.295_1
This article argues that Blake Schwarzenbach was a pivotal figure in the evolution of American punk from the early 1990s. Schwarzenbach’s journey as a punk figure has exemplif...

The Implicated Neoliberal Subject in Thomas Pynchon's Bleeding Edge

Journal Article
Stacy, I., & Keeble, A. (2022)
The Implicated Neoliberal Subject in Thomas Pynchon's Bleeding Edge. Journal of American Studies, 56(2), 320-347. https://doi.org/10.1017/S002187582100058X
This article argues that in Bleeding Edge, Pynchon moves from an oppositional schema in which the world is divided into elect and preterite populations towards one that is con...

Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism

Journal Article
Keeble, A. (2016)
Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism. European Journal of American Culture, 35(1), 51-67. https://doi.org/10.1386/ejac.35.1.51_1
This article examines the depiction of exceptionalism in David Simon and Eric Overmeyer’s television series, Treme, and argues that the series uses its New Orleans microcosm t...

The 9/11 Novel: Trauma, Politics and Identity

Book
Keeble, A. (2014)
The 9/11 Novel: Trauma, Politics and Identity. McFarland & Company, Inc
No abstract available.

Bleeding Edge, Neo-Liberalism, and the 9/11 Novel.

Journal Article
Keeble, A. (2019)
Bleeding Edge, Neo-Liberalism, and the 9/11 Novel. Canadian Review of American Studies, 1-22. https://doi.org/10.3138/cras.2017.028
This article argues that Thomas Pynchon’s Bleeding Edge (2013) can be read within the canon of 9/11 novels in unexpected and productive ways. Its rich, intertwined narrative o...

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