Distant Voices
Other
Dempster, K. (2016)
Distant Voices
Distant Voices - A unique multi-disciplinary performance, in which live musicians in Edinburgh connect, via video-link technology, with dancers on stage in Liverpool and Flori...
for one
Other
Hails, J. (2016)
for one. Print manuscript in the possession of the composer
Musical work (duration 19') for oneunspecified melodic sustaining instrument. Work employs specific tuning related to just intervals.
Sexual politics and the Eurovision Song Contest
Other
Kulpa, R. (2014)
Sexual politics and the Eurovision Song Contest. https://eurovisionproject.wordpress.com/2014/04/28/sexual-politics-and-the-eurovision-song-contest/
In this post I would like to draw readers’ attention to the issue of how Eurovision is entangled with sexual politics in the new EUrope: how it sometimes is used as the marker...
The Hold
Other
Dempster, K. (2014)
The Hold
The Hold – a site-specific, promenade performance, staged at the National Museum of Scotland, Chambers Street, Edinburgh, the result of a collaboration between Lung Ha’s Theat...
Sketch of Tai Nan Street
Other
Cheng, L. (2013)
Sketch of Tai Nan Street. Hong Kong
大南街是位於深水埗的街道，漫步此道，就像走過歷史，看到當年的香港。這裡沒甚麼歷史大事件，而是極盛極衰的環境下生活的人們，堅守本分，這些片段來得更誠實真摯。樂曲將會以單簧管、中提琴及低音大提琴演奏，凝聚這細緻和諧的一幕。
Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation
Journal Article
Harkins, P. (2010)
Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation. Journal of the International Association for the Study of Popular Music, 1(1), 1-19. https://doi.org/10.5429/2079-3871%282010%29v1i2.3en
Brian Eno describes the recording studio as a compositional tool that has enabled composers to enjoy a more direct relationship with sound. This article will explore the use o...