Ground Control and Cloud Booths: Using Dante to break geographical barriers to music production
Book Chapter
Ferguson, P., & Hook, D. (2021)
Ground Control and Cloud Booths: Using Dante to break geographical barriers to music production. In R. Hepworth-Sawyer, R. Toulson, & J. Paterson (Eds.), Innovation in Music: Future Opportunities (89-105). Abingdon: Routledge
In January 2013 the authors became early adopters of Focusrite RedNet. The RedNet Dante-based audio-over-IP interfaces gave their studios and performance areas very flexible c...
Shanshui
Other
Cheng, L. (2020)
Shanshui. Hong Kong
Shanshui is a work for flute and interactive media. Through the reception of sonic artefacts from the flutist during the performance, the software programme dedicatedly develo...
Music classroom as the shifting ground for patriotism: National Anthem Law in Hong Kong
Conference Proceeding
Cheng, L. (2020)
Music classroom as the shifting ground for patriotism: National Anthem Law in Hong Kong. In Proceedings of the 20th International Seminar of the ISME Commission on Policy: Culture, Media and Education (65-72
Music as an expressive art form can convey meaning and carry emotional associations. It can promote universal values such as anti-war and equality, or political ideology inclu...
Cult Sound Studies: hand claps, orchestra hits, and the production of popular music
Journal Article
Harkins, P. (2019)
Cult Sound Studies: hand claps, orchestra hits, and the production of popular music. Sound Studies, 5(2), 213-216. https://doi.org/10.1080/20551940.2019.1648029
No abstract available.
Digital Sampling: The Design and Use of Music Technologies
Book
Harkins, P. (2019)
Digital Sampling: The Design and Use of Music Technologies. Routledge. https://doi.org/10.4324/9781351209960
Digital Sampling is the first book about the design and use of sampling technologies that have shaped the sounds of popular music since the 1980s.
Written in two parts, Digit...
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974
Journal Article
Anderton, C., & Atton, C. (2020)
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974. Rock Music Studies, 7(1), 8-22. https://doi.org/10.1080/19401159.2019.1651521
The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding...
Challenging authenticity: fakes and forgeries in rock music
Journal Article
Atton, C. (2019)
Challenging authenticity: fakes and forgeries in rock music. Popular Music, 38(2), 204-218. https://doi.org/10.1017/S0261143019000084
Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by ...
Digital Ensemble Skills in a Laptop Orchestra
Conference Proceeding
Lee, C. (2018)
Digital Ensemble Skills in a Laptop Orchestra. In Proceedings of the 2018 International Computer Music Conference (267-270
The emerging practices and growing number of laptop orchestras associated with university music programs raise questions about the capability of the laptop orchestra to develo...
for St Gabriel's
Other
Burton, K. (2018)
for St Gabriel's. [PDF score]. Prestonpans, Scotland
A site-specific work informed by the architectural design of St Gabriel's RC church, Prestonpans. The piece was presented at St Gabriel's on July 7th 2018 by Caitlin Monaghan ...
DingDing
Other
Cheng, L. (2018)
DingDing. Hong Kong
Ding Ding is a video-and-music work that recreates the experience of a soundwalk on the tramway with pre-recorded artefacts, synthesized and instrumental sound.