Stickers - Portfolio Artefact
Physical Artefact
MacLeod, M., & Macdonald, I. Stickers - Portfolio Artefact)
MacLeod, M., & Macdonald, I. Stickers - Portfolio Artefact
Designing for social good framed within an ethical practice has a long tradition informed by the democratic philosophy of John Dewey, but more recently it has been acknowledge...
AHRC Design Research for Change Showcase
Exhibition / Performance
Vettese, S., Anastasiadou, C., Calder, L., Vones, K., Burton, K., & Allan, D. AHRC Design Research for Change Showcase. 20 September 2018 - 23 September 2018)
Vettese, S., Anastasiadou, C., Calder, L., Vones, K., Burton, K., & Allan, D. AHRC Design Research for Change Showcase. 20 September 2018 - 23 September 2018
No abstract available.
In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture
Journal Article
Vettese, S., & Anastasiadou, C. (2018)
In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture. The Journal of Peer Production, 12, 27-39
This paper outlines an Arts and Humanities Research Council (AHRC) funded Design Innovation Development Award project titled ' Enhancing the Authenticity and Sustainability of...
Lighting for Cities Inhabited by People, Not Cars: Community Co-Design and Creative Lighting
Conference Proceeding
Innes, M., & Winton, E. (2017)
Lighting for Cities Inhabited by People, Not Cars: Community Co-Design and Creative Lighting. In PLDC 6th Global Lighting Design Conference
Electric street lighting has developed wholly in the age of the motor car. Therefore, normal models of urban lighting are based firmly on designing for vehicle traffic. Standa...
True Colours: explorations in art, design and research
Conference Proceeding
Innes, M. (2017)
True Colours: explorations in art, design and research. In Color and Imaging Conference (309-312
Do you see colour the same way that I see colour? As my initial training was as an artist, it is possible that I look at colour very differently from someone with a scientific...
The Isle of Harris Fish Slice: Industrial Crafting with Ocean Plastic
Presentation / Conference
Lambert, I. (2017, September)
The Isle of Harris Fish Slice: Industrial Crafting with Ocean Plastic. Paper presented at Making Futures 2017: Crafting a sustainable Modernity - towards a maker aesthetics of production and consumption, Plymouth College of Art
This paper appraises the adaptation of injection moulding, a process quintessentially associated with mass production, as a craft process, with ocean plastic as the raw materi...
Aesthetic Justice. Design for a blind-spot culture
Journal Article
Buwert, P. (2017)
Aesthetic Justice. Design for a blind-spot culture. Design Journal, 20(sup1), S38-S48. https://doi.org/10.1080/14606925.2017.1353017
This paper presents a conception of aesthetic justice which builds on
thoughts of Theodor Adorno and Wolfgang Welsch and attempts to reconcile design’s relationships with both...
Potentiality: the ethical foundation of design
Journal Article
Buwert, P. (2017)
Potentiality: the ethical foundation of design. Design Journal, 20(sup1), S4459-S4467. https://doi.org/10.1080/14606925.2017.1352942
This paper presents the argument that design is by nature an activity which extends and transforms potentiality and that therefore, because of this, it is always an ethical ac...
Lighting and Museum Exhibits
Book Chapter
Innes, M. (2017)
Lighting and Museum Exhibits. In C. Papadopoulos, & H. Moyes (Eds.), The Oxford Handbook of Light in Archaeology. Oxford: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198788218.013.31
Museums exist to display and preserve valuable artefacts. Display lighting helps fulfil one of the main tenets of a museum, but excessive light causes irreparable damage to se...
The edges of lighting design: Research and practice on the fringes
Conference Proceeding
Innes, M. (2017)
The edges of lighting design: Research and practice on the fringes. In New Perspectives on the Future of Healthy Light and Lighting in Daily Life. , (16-21
If architectural lighting design is contained within a defined circle, then the edges are, at the very least, quite blurred. All kinds of other lighting practice has straddled...