Walking in the Garden of Forking Paths – examining notions of 'post-physical' printmaking in digital space
Conference Proceeding
Thompson, P., & Pengelly, J. (2014)
Walking in the Garden of Forking Paths – examining notions of 'post-physical' printmaking in digital space. In A. Watson, E. Shemilt, & P. Liam Harrison (Eds.), Impact 8: Borders & Crossings: the artist as explorer (1-13
This paper presents findings from practice-based research, which examines notions of post-physical printmaking space through the digital medium of Augmented Reality.
Founded o...
Social Networking and Affinity Spaces – The Virtual Atelier
Conference Proceeding
Pengelly, J., & Thompson, P. (2012)
Social Networking and Affinity Spaces – The Virtual Atelier. In ATINER's Conference Paper Series ART2012-0076 (ART2012-0076
This paper examines the impact digital culture, Web 2.0 and Online Networking, an area we might collectively define as e-culture, is having on the practice, modes of collabora...
The Digital Matrix and the Paperless Print
Conference Proceeding
Thompson, P. (2011)
The Digital Matrix and the Paperless Print. In S. Hoskins (Ed.), IMPACT 6: multi-disciplinary printmaking conference proceedings, (44
This paper examines, from the perspective of a critically engaged practioner within the context of contemporary fine art printmaking practice, the concept of a " digital matri...
Born digital-new materialities: a survey mini-print exchange of contemporary digitally mediated printmaking
Digital Artefact
Thompson, P. (2011)
Born digital-new materialities: a survey mini-print exchange of contemporary digitally mediated printmaking
The ‘Born Digital – New Materialities’ print portfolio is the result of a digitally mediated open call “exchange” survey, examining the notion of “printmaking 2.0”. It is part...
The Personalised Surface, New Approaches to Digital Printmaking
Conference Proceeding
Thompson, P. (2009)
The Personalised Surface, New Approaches to Digital Printmaking. In The Personalised Surface: New Approaches to Digital Printmaking
My work is formed through practice-based research and is placed within the context of the transferred image. I have developed my digital practice from traditional methods of p...