Malaysian cinema and negotiations with modernity: film and anthropology.
Thesis
Gray, G. T. Malaysian cinema and negotiations with modernity: film and anthropology. (Thesis)
Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/4485
This thesis examines Malaysian cinema in the context of the various processes and
discourses of modernity. Analysing the processes of modernity which Malaysians
are engaged wi...
You Play Your Part – Older Women on Screen and in Production
Book Chapter
Macleod, K. (2015)
You Play Your Part – Older Women on Screen and in Production. In H. Savigny, E. Thorsen, D. Jackson, & J. Alexander (Eds.), Media, Margins And Popular Culture (28-40). London: Palgrave Macmillan. https://doi.org/10.1057/9781137512819_3
This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to inc...
Anglophone Sub-Sahara Africa video industry : a new paradigmatic practice of moviemaking
Thesis
Boateng, K. Anglophone Sub-Sahara Africa video industry : a new paradigmatic practice of moviemaking. (Thesis)
Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/6055
The subject of this study is Sub-Sahara Africa Anglophone Video-moviemaking and the research process is an empirical enquiry into how this contemporary cultural industry has e...
Is There Such A Thing as Southeast Asian Photography?
Presentation / Conference
Supartono, A. (2015, April)
Is There Such A Thing as Southeast Asian Photography?. Paper presented at Making Southeast Asian Cultures: From Region to World, UC Berkeley, CA, USA. (Unpublished)
The photography scene in Southeast Asia has developed regionally since the early days of the camera. The flourishing commercial photographic studios in the region (thanks to t...
The Scottish National Portrait Gallery Document Scotland The Ties That Bind
Exhibition / Performance
Gerrard, S. The Scottish National Portrait Gallery Document Scotland The Ties That Bind. Exhibited at Scottish National Portrait Gallery, Edinburgh, UK. 25 September 2015 - 25 April 2016. (Unpublished))
Gerrard, S. The Scottish National Portrait Gallery Document Scotland The Ties That Bind. Exhibited at Scottish National Portrait Gallery, Edinburgh, UK. 25 September 2015 - 25 April 2016. (Unpublished
Document Scotland is a photographic collective comprising of Colin McPherson, Jeremy Sutton-Hibbert, Sophie Gerrard and Stephen McLaren — four Scots-born photographers, each e...
Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes
Book Chapter
Moschovi, A., & Supartono, A. (2019)
Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes. In H. Lewi, W. Smith, S. Cooke, & D. vom Lehn (Eds.), The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites (227-240). London: Routledge
The chapter explores how creative repurposing of networked photographs and online interactivity may open new channels and networks for the critical re-evaluation of mainstream...
From Singapore with Nature.
Exhibition / Performance
Supartono, A., Renhui, R. Z., Ang, S. N., Marvin, T., & Woong, S. T. From Singapore with Nature. Exhibited at Thessalonika, Greece. 28 September 2018 - 27 January 2019. (Unpublished))
Supartono, A., Renhui, R. Z., Ang, S. N., Marvin, T., & Woong, S. T. From Singapore with Nature. Exhibited at Thessalonika, Greece. 28 September 2018 - 27 January 2019. (Unpublished
In this year’s Thessaloniki PhotoBiennale 2018, the central exhibition entitled “Capitalist Realism“, which is structured in two large sections, at the Thessaloniki Museum of ...
Radical and Engaged Cinema in Scotland.
Book
MacPherson, R. (2014)
Radical and Engaged Cinema in Scotland. In Directory of World Cinema ScotlandIntellect
A short history of radical and engaged films and filmmakers in Scotland from 1917 to the present.
Peripheral visions? Alternative film in a stateless nation.
Book Chapter
MacPherson, R. (2015)
Peripheral visions? Alternative film in a stateless nation. In C. Atton (Ed.), The Routledge Companion to Alternative and Community Media, (268-277). Routledge
Scotland is a small, stateless nation whose mainstream media and national cinema have generally been positioned by media scholars as constituting an alternative to the UK’s m...