Exploring Musical Creativity through Interactive Cymatics
Conference Proceeding
McGowan, J., Leplatre, G., & McGregor, I. (2017)
Exploring Musical Creativity through Interactive Cymatics. In Proceedings of the 31st International BCS Human Computer Interaction Conference (HCI 2017)https://doi.org/10.14236/ewic/HCI2017.67
What does music look like? Representation of sound has taken many forms over time, from sinusoidal wave patterns, through to random algorithm-based visualisations based on the...
Can You Hear What I Feel?
Presentation / Conference
Moir, Z. (2017, December)
Can You Hear What I Feel?. Paper presented at Art of Record Production
No abstract available.
IDDM
Exhibition / Performance
Moir, Z. IDDM. Performed at Royal College of Music, Stockholm. 1 December 2017. (Unpublished))
Moir, Z. IDDM. Performed at Royal College of Music, Stockholm. 1 December 2017. (Unpublished
No abstract available.
Cultural intermediaries in the contemporary British music press.
Thesis
Langlands, L. C. Cultural intermediaries in the contemporary British music press. (Thesis)
Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/Output/1034846
Forde (2001) argues that the “polyglottic identity” and “discursive autonomy” of the music press in the 1970s was replaced in the 1990s by a “monoglottic branded identity, dir...
Floating Sanctuary
Other
Burton, K. (2017)
Floating Sanctuary
A site-specific work for solo cello written for Edinburgh Doors open Day. The piece is informed by the architectural design of Craigsbank Parish Church and was presented in th...
Two Hearts Beating
Other
Dempster, K. (2017)
Two Hearts Beating
Grassmarket Community Project
• Composition: Two Hearts Beating for soprano and guitar.
• Performance 1: Grassmarket Community Project during Edinburgh Doors Open Day ...
Jamming in the 3rd Room.
Presentation / Conference
Moir, Z. (2017, September)
Jamming in the 3rd Room. Paper presented at Royal Musical Association Annual Conference, Liverpool, UK
No abstract available.
Questioning the Digital Revolution: Continuity and Change in the Design and Use of Music Technologies
Presentation / Conference
Harkins, P. (2017, June)
Questioning the Digital Revolution: Continuity and Change in the Design and Use of Music Technologies. Paper presented at 19th Biennial Conference of the International Association for the Study of Popular Music, Kassel, Germany
The use of digital technologies since the 1980s have changed the way in which music is stored, distributed, and consumed. The use of digital technologies has also reshaped the...
Promotion anxieties: Jazz promoters within the UK scene
Journal Article
Medbøe, H., & Moir, Z. (2017)
Promotion anxieties: Jazz promoters within the UK scene. Jazz Research Journal, 11(1), 7-27. https://doi.org/10.1558/jazz.32504
Definitions and roles of the promoter within the ecology of the music industries have over recent years become the subject of attention by academics working within the eld of...
Flipped Learning: Engaging Music Technology Students Outside the Classroom.
Presentation / Conference
Stillie, B. (2017, June)
Flipped Learning: Engaging Music Technology Students Outside the Classroom. Paper presented at Association of Popular Music Education Conference
Virtual Learning Environments (VLEs) are an essential part of the learning infrastructure in university but are still commonly used as mere ‘file stores’ that give students on...