How Does This Work Then?
Other
Moir, Z. (2018)
How Does This Work Then?. [https://open.spotify.com/album/0M4UTFhAxmRmE278KWHrHP?si=8dQsAfVLRwWynNGvp5BvNw]. Online Publication
Composition for solo cello.
Exploring Musical Creativity through Interactive Cymatics
Conference Proceeding
McGowan, J., Leplatre, G., & McGregor, I. (2017)
Exploring Musical Creativity through Interactive Cymatics. In Proceedings of the 31st International BCS Human Computer Interaction Conference (HCI 2017)https://doi.org/10.14236/ewic/HCI2017.67
What does music look like? Representation of sound has taken many forms over time, from sinusoidal wave patterns, through to random algorithm-based visualisations based on the...
Cultural intermediaries in the contemporary British music press.
Thesis
Langlands, L. C. Cultural intermediaries in the contemporary British music press. (Thesis)
Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/Output/1034846
Forde (2001) argues that the “polyglottic identity” and “discursive autonomy” of the music press in the 1970s was replaced in the 1990s by a “monoglottic branded identity, dir...
Floating Sanctuary
Other
Burton, K. (2017)
Floating Sanctuary
A site-specific work for solo cello written for Edinburgh Doors open Day. The piece is informed by the architectural design of Craigsbank Parish Church and was presented in th...
Two Hearts Beating
Other
Dempster, K. (2017)
Two Hearts Beating
Grassmarket Community Project
• Composition: Two Hearts Beating for soprano and guitar.
• Performance 1: Grassmarket Community Project during Edinburgh Doors Open Day ...
Promotion anxieties: Jazz promoters within the UK scene
Journal Article
Medbøe, H., & Moir, Z. (2017)
Promotion anxieties: Jazz promoters within the UK scene. Jazz Research Journal, 11(1), 7-27. https://doi.org/10.1558/jazz.32504
Definitions and roles of the promoter within the ecology of the music industries have over recent years become the subject of attention by academics working within the eld of...
What I discovered inside Edinburgh’s museum of musical instruments
Other
Durkin, R. (2017)
What I discovered inside Edinburgh’s museum of musical instruments. https://theconversation.com/what-i-discovered-inside-edinburghs-museum-of-musical-instruments-77495
No abstract available.
The Dancing-Master's Toolkit: a Summary of the Pochette of the Seventeenth and Eighteenth Centuries and its Role in Society
Journal Article
Durkin, R. (2017)
The Dancing-Master's Toolkit: a Summary of the Pochette of the Seventeenth and Eighteenth Centuries and its Role in Society. The Galpin Society journal, LXX, 65-79
The pochette or kit of the seventeenth and eighteenth centuries survives in surprisingly large numbers in both specialist and general collections, and displays a variety of fo...
Continental Drift: 50 years of jazz from Europe
Conference Proceeding
Medboe, H., Bares, W., Webster, E., Frost Fadnes, P., Inglis, C., Kahr, M., …Heyman, M. (2017)
Continental Drift: 50 years of jazz from Europe. In Z. Moir, & C. Atton (Eds.), Continental Drift: 50 years of jazz from Europe - Conference Proceedings. , (v-vi
Following popular exposure in France to the proto-jazz of James Reese Europe and his 369th “Harlem Hellfighters” Infantry Regiment during the latter years of WW1, the jazz bug...
Blake Schwarzenbach and the anxieties of American punk rock: 1991–present
Journal Article
Keeble, A. (2016)
Blake Schwarzenbach and the anxieties of American punk rock: 1991–present. Punk and Post Punk, 5(3), 295-310. https://doi.org/10.1386/punk.5.3.295_1
This article argues that Blake Schwarzenbach was a pivotal figure in the evolution of American punk from the early 1990s. Schwarzenbach’s journey as a punk figure has exemplif...