Distant Voices
Other
Dempster, K. (2016)
Distant Voices
Distant Voices - A unique multi-disciplinary performance, in which live musicians in Edinburgh connect, via video-link technology, with dancers on stage in Liverpool and Flori...
for one
Other
Hails, J. (2016)
for one. Print manuscript in the possession of the composer
Musical work (duration 19') for oneunspecified melodic sustaining instrument. Work employs specific tuning related to just intervals.
The Hold
Other
Dempster, K. (2014)
The Hold
The Hold – a site-specific, promenade performance, staged at the National Museum of Scotland, Chambers Street, Edinburgh, the result of a collaboration between Lung Ha’s Theat...
Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation
Journal Article
Harkins, P. (2010)
Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation. Journal of the International Association for the Study of Popular Music, 1(1), 1-19. https://doi.org/10.5429/2079-3871%282010%29v1i2.3en
Brian Eno describes the recording studio as a compositional tool that has enabled composers to enjoy a more direct relationship with sound. This article will explore the use o...