Inge Panneels
inge panneels

Dr. Inge Panneels

Lecturer

 0131 455 4776

  I.Panneels@napier.ac.uk

   

Biography

Inge Panneels is currently Lecturer in Digital Media in the School of Computing, Engineering and the Built Environment (SCEBE). She was previously (2019-2023) Research Fellow at Edinburgh Napier University on the AHRC funded Creative Informatics project which supported data driven innovation in the creative industries. Prior to this she was Senior Lecturer on the Artist Designer Maker Course at the University of Sunderland (2006-2019).

Current research is looking at sustainability in the creative industries by looking at creative businesses through the Quintuple Bottom Line (profile, people, planet, purpose and place) and the circular economy. This has been informed by funded collaborations with Applied Arts Scotland (Closing the Loop), Kathmandu University and British Council Nepal (2021/2022) and the Royal Society of Edinburgh (RSE) (2021).

Publications include journal articles (Arts), book chapters (Routledge) and books.

She completed an AHRC funded PhD at Northumbria University (Visual Culture) "Mapping the Anthropocene: an investigation of cultural ecosystem services through artists' engagements with environmental change in Scotland" (2014-2020).

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  • Arts journal
  • Sustainability journal

 

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10 results

Data-Driven Innovation for Sustainable Creative Practice

Conference Proceeding
Lechelt, S., Panneels, I., & Helgason, I. (in press)
Data-Driven Innovation for Sustainable Creative Practice. In Proceedings of the 35th International BCS Human Computer Interaction Conference
Lechelt, S, Panneels, I & Helgason, I. 2022, Data-Driven Innovation for Sustainable Creative Practice. in Proceedings of the 35th International BCS Human Computer Interaction ...

Connecting, Collaborating, Creating: The Experiences of Creative Freelancers in Edinburgh in 2022

Report
Connell, L., Orme, A., Osborne, N., Panneels, I., Patrick-Thomson, H., Terras, M., & Wojtkiewicz, O. (2022)
Connecting, Collaborating, Creating: The Experiences of Creative Freelancers in Edinburgh in 2022. Creative Edinburgh
This report provides a snapshot of the state and needs of creative freelancers in the Edinburgh region in 2022. The last few years have been both interesting and challenging ...

Connecting, Collaborating, Creating: The Experiences of Creative Freelancers in Edinburgh in 2022

Report
Connell, L., Orme, A., Osbourne, N., Paneels, I., Patrick-Thomson, H., Terras, M., & Wojtkiewicz, O. (2022)
Connecting, Collaborating, Creating: The Experiences of Creative Freelancers in Edinburgh in 2022. Edinburgh: Creative Edinburgh
This report provides a snapshot of the state and needs of creative freelancers in the Edinburgh region in 2022. The last few years have been both interesting and challenging ...

Mapping the Anthropocene: The Harrisons’ and The Deep Wealth of this Nation, Scotland

Book Chapter
Panneels, I. (2021)
Mapping the Anthropocene: The Harrisons’ and The Deep Wealth of this Nation, Scotland. In C. Travis, & V. Valentino (Eds.), Narratives in the Anthropocene era (321-342). Lago, Italy: Il Silent Edizioni
Mapping the Anthropocene considers The Deep Wealth of this Nation, Scotland (2018) by eco-art pioneers Helen Mayer and Newton Harrison. Known as the Harrisons, they deploy map...

Plugging the Data Gap: Freelance Workers in the Creative Industries

Other
Panneels, I., Terras, M., Jones, C., Helgason, I., & Komorowski, M. (2021)
Plugging the Data Gap: Freelance Workers in the Creative Industries. https://www.pec.ac.uk/blog/plugging-the-data-gap-freelance-and-self-employed-workers-in-the-creative-industries
The lack of data on the self-employed and freelance workforce is a particularly severe problem for the creative industries, which are disproportionately made up of freelancers...

The value of mass-digitised cultural heritage content in creative contexts

Journal Article
Coleman, S., Terras, M., Thornton, P., Smyth, M., Schafer, B., Drost, S., …Speed, C. (2021)
The value of mass-digitised cultural heritage content in creative contexts. Big Data and Society, 8(1), https://doi.org/10.1177/20539517211006165
How can digitised assets of Galleries, Libraries, Archives and Museums be reused to unlock new value? What are the implications of viewing large-scale cultural heritage data a...

Creative Informatics Guide for Online Events

Working Paper
Elsden, C., Chan, K., Erskine, P., Helgason, I., Lechelt, S., Osborne, N., …Speed, C. (2020)
Creative Informatics Guide for Online Events
Creative Informatics is a research and development programme based in Edinburgh, which aims to bring the city’s world-class creative industries and tech sector together. We ar...

How Can We Balance Research, Participation and Innovation as HCI Researchers?

Conference Proceeding
Lechelt, S., Elsden, C., Helgason, I., Panneels, I., Smyth, M., Speed, C., & Terras, M. (2019)
How Can We Balance Research, Participation and Innovation as HCI Researchers?. In Proceedings of the Halfway to the Future Symposium 2019https://doi.org/10.1145/3363384.3363394
This paper reflects upon the growing expectation for HCI research projects to collaborate closely with partners in industry and civil society. Specifically, we suggest that th...

Mapping the Sea on Scotland’s Peripheries

Journal Article
Panneels, I. (2019)
Mapping the Sea on Scotland’s Peripheries. Arts, 8(4), https://doi.org/10.3390/arts8040123
This paper examines the use of mapping methodologies in some recent examples of contemporary art that chart the layered seascapes of the remote coastlines on North West Scotla...

Glass—A Material Practice in the Anthropocene

Journal Article
Panneels, I. (2019)
Glass—A Material Practice in the Anthropocene. Arts, 8(1), 7. https://doi.org/10.3390/arts8010007
This paper details and discusses Material Journey (2018), an art project by the author that was exhibited at the National Glass Centre in Sunderland (UK) from 9 June to 2 Sept...