Chris Neilan
chris neilan

Dr Chris Neilan

Lecturer

Biography

Dr Chris Neilan is an award-winning author, screenwriter and filmmaker with a PhD in creative writing from Manchester Metropolitan University focused on unconventional narrative structures. He was shortlisted for the 2016 Sundance Screenwriters Lab and the 2021 Sundance Development Track, and his films have played at 16 international film festivals and won several awards. He was awarded 2nd place for Short Fiction in the 2017 Bridport Prize, shortlisted for the 2020 Aurora Prize and the 2021 Bridport Prize, and nominated for the 2021 Pushcart Prize, the 2021 Shirley Jackson Awards and the 2021 & 2022 Best Small Fictions anthology. His hybrid novel, Stellify, was published by Broken Sleep Books in Jan 2022.

His production company, Gor Gai Films, specializes in humanitarian documentaries. Past films have focused on issues affecting ethnic minorities and refugees in Burma and Thailand, including the 25min documentary Welcome to Thoo Mweh Khee which screened at the 2021 Manchester International Film Festival and won Best Documentary at the 2021 Demetera International Film Festival in Paris, amongst other festival selections and awards, and was picked up for international distribution by Journeyman Pictures. He is currently at work on feature projects, both documentary and narrative, in the UK and US. He has forthcoming academic writing in the Journal of Screenwriting and The Bloomsbury Handbook of International Screenwriting Theory, and is developing his own screenwriting handbook for Bloomsbury based on his PhD thesis. He has presented on screenwriting at international conferences in the UK, Oslo and Vienna. He created and co-hosts the podcast Two Minute Stories with poet-novelist Helen Mort and poet Mark Pajak, and is a former writer-in-residence for New Writing North.

Date


4 results

Beyond the Monoplot: How to Write Unconventional Films (and Why We Should)

Book
Neilan, C. (2025)
Beyond the Monoplot: How to Write Unconventional Films (and Why We Should). Bloomsbury Publishing
This book provides a toolkit for unconventional practice-a comprehensive list of unconventional story shapes and the meanings they create, with accompanying case studies, incl...

We need to talk about Lynne: Modular structure as a reflection of the traumatized psyche in We Need to Talk about Kevin

Journal Article
Neilan, C. (2024)
We need to talk about Lynne: Modular structure as a reflection of the traumatized psyche in We Need to Talk about Kevin. Journal of Screenwriting, 15(3), 257-271. https://doi.org/10.1386/josc_00162_1
Conventional linear three-act structure has become the dominant form in anglophone screen industries and creates a particular meaning and viewing experience. Modular structure...

The power of schism: Unconventional narrative structure in No Country for Old Men

Journal Article
Neilan, C. (2022)
The power of schism: Unconventional narrative structure in No Country for Old Men. Journal of Screenwriting, 13(3), 313-328. https://doi.org/10.1386/josc_00103_1
Whilst screenwriting handbooks have popularized and disseminated practical approaches to writing the screenplay and, to a certain extent, demystified and perhaps even democrat...

Stellify

Book
Neilan, C. (2022)
Stellify. Broken Sleep Books
In Stellify, stories of love, abuse, and the film industry weave and intertwine in fragments, like an Altman montage, or Lydia Davis flash that coalesces into a Jennifer Egan-...