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7 results

Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.

Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.

Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black

Journal Article
Schwan, A. (2016)
Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), 473-490. https://doi.org/10.1177/1527476416647497
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly promote pri...

Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe.

Book Chapter
Artt, S. (2014)
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014) (171-186). Palgrave
No abstract available.

Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe.

Presentation / Conference
Artt, S. (2010, October)
Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. Paper presented at Symposium on melodrama in contemporary film and television, Queen Margaret University

Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens.

Presentation / Conference
Artt, S. (2008, July)
Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds

The woman behind the screen: adapting Edith Wharton's The House of Mirth.

Presentation / Conference
Artt, S. (2007, October)
The woman behind the screen: adapting Edith Wharton's The House of Mirth. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling

Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair".

Presentation / Conference
Artt, S. (2006, July)
Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University