Networked Improvisation: Playing for Peace
Exhibition / Performance
Moir, Z., & Ferguson, P. Networked Improvisation: Playing for Peace. [Real-Time Networked Improvised Performance]. Performed at New York. 10 November 2019 - 10 November 2019. (Unpublished))
Moir, Z., & Ferguson, P. Networked Improvisation: Playing for Peace. [Real-Time Networked Improvised Performance]. Performed at New York. 10 November 2019 - 10 November 2019. (Unpublished
This was a multi-site (Edinburgh, New York, California, Belgium, Switzerland, and Germany) networked real-time improvised performance in response to music that was being broad...
Networked Arts and Social Purpose in Scotland: Performance, Participation, and Peace
Presentation / Conference
Moir, Z., & Ferguson, P. (2019, November)
Networked Arts and Social Purpose in Scotland: Performance, Participation, and Peace. Paper presented at NowNet Arts, New York
This presentation will comprise three related sections, outlining recent and imminent projects. We will begin by discussing work that the authors have recently undertaken in w...
Eudaimonia And Social Good Through Technologically Mediated, Collaborative Music-Making
Presentation / Conference
Moir, Z., & Smith, G. D. (2019, November)
Eudaimonia And Social Good Through Technologically Mediated, Collaborative Music-Making. Paper presented at NowNet Arts, New York
Humans often tend towards working in groups of various kinds. Following childhood and the family unit we seek those groups in mutual interest groups and activities. One of the...
Haftor Medbøe Scandinavian Group: live at Edinburgh Jazz & Blues Festival 2013
Digital Artefact
Medboe, H. (2019)
Haftor Medbøe Scandinavian Group: live at Edinburgh Jazz & Blues Festival 2013. [Compact Disc (CD) + Digital Album]
Musicians:
Haftor Medbøe: Guitar
Gunnar Halle: Trumpet
Espen Eriksen: Piano
Eva Malling: Bass
Benita Haastrup: Drums
Konrad Wiszniewski: Tenor sax on "New Happy"
Recorded li...
Cold commodities: Discourses of decay and purity in a globalised jazz world
Book Chapter
Medboe, H. (2019)
Cold commodities: Discourses of decay and purity in a globalised jazz world. In T. Howell (Ed.), The Nature of Nordic Music (123-138). London: Routledge. https://doi.org/10.4324/9781315462851
Jazz has been a global music since its inception. In conflating Scandinavian jazz with the production of the ‘Nordic tone’, several accounts of European jazz present the music...
Cult Sound Studies: hand claps, orchestra hits, and the production of popular music
Journal Article
Harkins, P. (2019)
Cult Sound Studies: hand claps, orchestra hits, and the production of popular music. Sound Studies, 5(2), 213-216. https://doi.org/10.1080/20551940.2019.1648029
No abstract available.
Digital Sampling: The Design and Use of Music Technologies
Book
Harkins, P. (2019)
Digital Sampling: The Design and Use of Music Technologies. Routledge. https://doi.org/10.4324/9781351209960
Digital Sampling is the first book about the design and use of sampling technologies that have shaped the sounds of popular music since the 1980s.
Written in two parts, Digit...
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974
Journal Article
Anderton, C., & Atton, C. (2020)
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974. Rock Music Studies, 7(1), 8-22. https://doi.org/10.1080/19401159.2019.1651521
The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding...
Will of the People
Digital Artefact
Medboe, H. (2019)
Will of the People
Will Of The People features four furious live improvisations by Haftor Medbøe (guitar and effects), Pete Furniss (clarinet and electronics) and Tom Bancroft (drums and percuss...
Cultural Invasion, False Generosity, and Fear of Freedom: A Freirean Critique of Popular Music in Higher Education
Presentation / Conference
Moir, Z. (2019, June)
Cultural Invasion, False Generosity, and Fear of Freedom: A Freirean Critique of Popular Music in Higher Education. Presented at Association for Popular Music Education Annual Conference 2019
Abstract not available.