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44 results

Writing for Craigsbank (illustrated lecture with live performance)

Exhibition / Performance
Burton, K. Writing for Craigsbank (illustrated lecture with live performance)
[Illustrated lecture with live performance]. Exhibited at Edinburgh, Scotland. 30 November 2021 - 27 November 2017. (Unpublished
Following the premiere of my site-specific work for performance at Craigsbank Parish Church (originally titled Floating Sanctuary), I was invited to talk to the Church of Scot...

for St Albert's

Other
Burton, K. (2021)
for St Albert's. Edinburgh, Scotland
A site-specific work informed by the architectural design of the Chapel of St Albert the Great, Edinburgh. The piece received multiple performances in the space on September 2...

The Sound of Architecture - Guest Blog Historic Environment Scotland

Digital Artefact
Burton, K. (2021)
The Sound of Architecture - Guest Blog Historic Environment Scotland. [Website]
Historic Environment Scotland published a guest blog about my site-specific compositions for three post-war and contemporary churches in Scotland. The blog was published in J...

(Dis)locating Democratisation: Grime, Digitalisation, and 'The PlayStation Generation'

Presentation / Conference
Harkins, P. (2021, May)
(Dis)locating Democratisation: Grime, Digitalisation, and 'The PlayStation Generation'. Paper presented at Annual Symposium of Music Scholars in Finland, Online
For many commentators over the last two decades, digitisation represents nothing short of a watershed moment in how music is produced, stored, and consumed. In this paper, I a...

The worst is yet to come: the psychological impact of COVID-19 on Hong Kong music teachers

Journal Article
Cheng, L., & Lam, C. Y. (2021)
The worst is yet to come: the psychological impact of COVID-19 on Hong Kong music teachers. Music Education Research, 23(2), 211-224. https://doi.org/10.1080/14613808.2021.1906215
The COVID-19 pandemic has made online and distance learning the new normal at all levels of education. Music as a school subject that relies heavily on multimodal sensory and ...

Ground Control and Cloud Booths: Using Dante to break geographical barriers to music production

Book Chapter
Ferguson, P., & Hook, D. (2021)
Ground Control and Cloud Booths: Using Dante to break geographical barriers to music production. In R. Hepworth-Sawyer, R. Toulson, & J. Paterson (Eds.), Innovation in Music: Future Opportunities (89-105). Abingdon: Routledge
In January 2013 the authors became early adopters of Focusrite RedNet. The RedNet Dante-based audio-over-IP interfaces gave their studios and performance areas very flexible c...

'Need we Say More': Contemporary Responses to the Fairlight CMI

Presentation / Conference
Harkins, P. (2020, December)
'Need we Say More': Contemporary Responses to the Fairlight CMI. Paper presented at Sound Instruments and Sonic Cultures: An Interdisciplinary Conference, National Science & Media Museum, Bradford/Online
Often described as the first digital sampler, the Fairlight Computer Musical Instrument (CMI) was primarily a digital synthesizer and computer workstation. Launched in 1979, i...

Shanshui

Other
Cheng, L. (2020)
Shanshui. Hong Kong
Shanshui is a work for flute and interactive media. Through the reception of sonic artefacts from the flutist during the performance, the software programme dedicatedly develo...

Music classroom as the shifting ground for patriotism: National Anthem Law in Hong Kong

Conference Proceeding
Cheng, L. (2020)
Music classroom as the shifting ground for patriotism: National Anthem Law in Hong Kong. In Proceedings of the 20th International Seminar of the ISME Commission on Policy: Culture, Media and Education (65-72
Music as an expressive art form can convey meaning and carry emotional associations. It can promote universal values such as anti-war and equality, or political ideology inclu...

Learner autonomy in music performance practices

Journal Article
Cheng, L., Wong, P. W. Y., & Lam, C. Y. (2020)
Learner autonomy in music performance practices. British Journal of Music Education, 37(3), 234-246. https://doi.org/10.1017/s0265051720000170
The language of music shares a number of basic processing mechanisms with natural languages, yet studies of learner autonomy in music education are rare. This study aims to as...

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5 results

The Sound Beneath Our Feet

2022 - 2022
This project will develop an immersive audio installation in which to experience sonified seismic data from volcanic activity. The environment will foster new ways of experiencing data from both scien...
Funder: Arts & Humanities Research Council | Value: £4,915

Improvisation Technologies and Creative Machines: The Performer-Instrument Relational Milieu

2022 - 2023
This practice-led, artistic research study traces theoretical and practical understandings that explore the technicity and performance-practice of musical improvisation and builds upon the lead’s prio...
Funder: Arts & Humanities Research Council | Value: £5,000

Uncovering the Secrets of the Fairlight: The Device that Revolutionised Pop in the 1980s

2019 - 2020
This event is a rare opportunity to find out more about a musical instrument that was worth £100,000 in the 1980s when it was used in the making of records by Afrika Bambaataa, Kate Bush, and Frankie ...
Funder: University of London | Value: £799

ENSEMBLE Performing Together Apart: Enhancing Immersive Multi-Location Co-Performance in Real Time

2018 - 2018
The feeling of being immersed within a live performance by an ensemble of world class musicians can be a deeply engaging and highly valued cultural experience for audiences as well as for the performe...
Funder: Arts & Humanities Research Council | Value: £58,268

Multi-Gigabit European Research Network & Associated Services (eMusic)

2013 - 2015
This proposal details activities that will ensure the continued enhancement and ongoing operation of the leading-edge GÉANT network, supporting a range of network and added-value services, targeted at...
Funder: European Commission | Value: £13,417

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1995 - 1999
Prof Chris Atton

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Music team and technology helps bring twins virtually together for the BBC World Service 'Digital Planet' programme

6 September 2019
Edinburgh Napier and the Royal College of Music has helped bring musicians virtually together as part of a special 18th birthday edition of the BBC World Service’s Digital Planet programme. Led in E...

Dr Zack Moir Elected to the Board of Directors of the Prestigious Association for Popular Music Education

27 June 2019
Dr Zack Moir from Music has been elected to serve on the Board of Directors of the Association for Popular Music Education, which is an international organisation with a mission to promote and advance...

Brutal or Beautiful: Edinburgh Napier team encourages different view of modernist buildings

7 July 2018
A team from Edinburgh Napier is encouraging members of the public to view brutalist architecture in a different light – through the use of music and design.

Exhibition - 40th Anniversary of Edinburgh Jazz & Blues Festival

2 July 2018
An exhibition of photography, print and ephemera relating to forty years of Edinburgh Jazz & Blues Festival curated by Dr Haftor Medbøe, Associate Professor of Music at Edinburgh Napier University and...

Music and Design Staff Showcase their Work at the Architecture Fringe

12 June 2018
The SituLab Research Group (Dr Katrina Burton, Dr Samantha Vettese, Dr Kathy Vones) and invited musician, Joanna Stark presented their ongoing project into how the public respond to modern architectur...

Alba New Music Festival 2017

6 October 2017
In collaboration with Alba New Music, the Applied Music Research Centre is pleased to be presenting the 2017 Alba New Music Festival. Music by Brian Ferneyhough, Jonathan Harvey, Richard Beaudoin, Mor...

Lecturer in Music is Editor of Recently 'Routledge Research Companion to Popular Music Education'

24 January 2017
Dr Zack Moir from music is one of the editors of the recently published 'Routledge Research Handbook of Popular Music Education', which is a new edited volume containing contributions from a wide rang...