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53 results

Ground Control and Cloud Booths: Using Dante to break geographical barriers to music production

Book Chapter
Ferguson, P., & Hook, D. (2021)
Ground Control and Cloud Booths: Using Dante to break geographical barriers to music production. In R. Hepworth-Sawyer, R. Toulson, & J. Paterson (Eds.), Innovation in Music: Future Opportunities (89-105). Abingdon: Routledge
In January 2013 the authors became early adopters of Focusrite RedNet. The RedNet Dante-based audio-over-IP interfaces gave their studios and performance areas very flexible c...

Shanshui

Other
Cheng, L. (2020)
Shanshui. Hong Kong
Shanshui is a work for flute and interactive media. Through the reception of sonic artefacts from the flutist during the performance, the software programme dedicatedly develo...

Music classroom as the shifting ground for patriotism: National Anthem Law in Hong Kong

Conference Proceeding
Cheng, L. (2020)
Music classroom as the shifting ground for patriotism: National Anthem Law in Hong Kong. In Proceedings of the 20th International Seminar of the ISME Commission on Policy: Culture, Media and Education (65-72
Music as an expressive art form can convey meaning and carry emotional associations. It can promote universal values such as anti-war and equality, or political ideology inclu...

Islay Jazz Festival

Journal Article
Medboe, H., & Maclean, D. (2020)
Islay Jazz Festival. Jazz Research Journal, 12(2), https://doi.org/10.1558/jazz.40304
This article considers the ecologies and stakeholder interests that overlap in the staging of an annual jazz festival on a small Scottish island in the Outer Hebrides. Through...

Popular Music and the Anthropocene

Journal Article
Ribac, F., & Harkins, P. (2020)
Popular Music and the Anthropocene. Popular Music, 39(1), 1-21. https://doi.org/10.1017/s0261143019000539
Ribac, F., & Harkins, P. (2020). Popular Music and the Anthropocene. Popular Music, 39(1), 1-21. https://doi.org/10.1017/s0261143019000539

Cold commodities: Discourses of decay and purity in a globalised jazz world

Book Chapter
Medboe, H. (2019)
Cold commodities: Discourses of decay and purity in a globalised jazz world. In T. Howell (Ed.), The Nature of Nordic Music (123-138). London: Routledge. https://doi.org/10.4324/9781315462851
Jazz has been a global music since its inception. In conflating Scandinavian jazz with the production of the ‘Nordic tone’, several accounts of European jazz present the music...

Cult Sound Studies: hand claps, orchestra hits, and the production of popular music

Journal Article
Harkins, P. (2019)
Cult Sound Studies: hand claps, orchestra hits, and the production of popular music. Sound Studies, 5(2), 213-216. https://doi.org/10.1080/20551940.2019.1648029
No abstract available.

Digital Sampling: The Design and Use of Music Technologies

Book
Harkins, P. (2019)
Digital Sampling: The Design and Use of Music Technologies. Routledge. https://doi.org/10.4324/9781351209960
Digital Sampling is the first book about the design and use of sampling technologies that have shaped the sounds of popular music since the 1980s. Written in two parts, Digit...

The Absent Presence of Progressive Rock in the British Music Press, 1968-1974

Journal Article
Anderton, C., & Atton, C. (2020)
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974. Rock Music Studies, 7(1), 8-22. https://doi.org/10.1080/19401159.2019.1651521
The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding...

Challenging authenticity: fakes and forgeries in rock music

Journal Article
Atton, C. (2019)
Challenging authenticity: fakes and forgeries in rock music. Popular Music, 38(2), 204-218. https://doi.org/10.1017/S0261143019000084
Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by ...